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LIBRARY 


M. KNOEDLER & GO. |” 
556-8 Fifth Ave, 
New York 


. Lie a” 14: 


Pu 


: CATALOGUE OF 
aa ie ) 
PINGS, ART OB) ECTS, BOOKS, 
sae *F ; oe . a | 


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Sige . AS mY heal Vi] 2 ean hea” i ae a. 
See Tepe 8 Ora Lk ye - 


ALTER Pp. FEARON, ESQ. 


oe — 


Ee sta "TRUSTEE ub BANKRUPTCY 


Vith s some additions fae other boncenors 


Mele 


n ‘riday Afternoon and Evening 


; 


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| ee 
ge 


| on M: arch 12th, 1915, at 2:30 and 8:15 o’clock — 


AT 


The Anderson Galleries. 


Metropolitan Art Association 
Mapison Avenue at Fortietu Street 


- NEw Yorx 


GCunditinns of Sale 


1. All bids to be per Lot as numbered in the Catalogue. 

2. The highest bidder to be the buyer; in all cases of disputed bids 
the lot shall be resold, but the Auctioneer will use his judgment as to 
the good faith of all claims and his decision shall be final. He also re- 
serves the right to reject any fractional or nominal bid which in his 
judgment may delay or injuriously affect the sale. 

3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots 
purchased to be immediately resold. 

4. The lots to be taken away at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder of 
the purchase money to be absolutely paid on or before delivery, in de- 
fault of which the Metropolitan Art Association will not be responsible 
if the lot or lots be lost, stolen, damaged, or destroyed, but they will be 
left at the sole risk of the purchaser, and subject to storage charges. 

5. To prevent inaccuracy in delivery, and inconvenience in the settle- 
ment of purchases, no lot will be delivered during the sale. 

6. All lots will be exposed for public exhibition in The Anderson 
Galleries before the date of sale, for examination by intending pur-~ 
chasers, and the Metropolitan Art Association will not be responsible 
for the correctness of the description, authenticity, genuineness, or for 
any defect or fault in or concerning any lot, and makes no warranty | 
whatever, but will sell each lot exactly as it is, without recourse. 
But upon receiving before the date of sale expert opinion in writing 
that any lot is not as represented, the Metropolitan Art Association will 
use every effort to furnish proof to the contrary, and in default of such 
proof the lot will be sold subject to the declaration of the aforesaid 
expert, he being liable to the owner or owners thereof for damage or 
injury occasioned by such declaration. 

7. Terms Cash. Upon failure to comply with the above conditions 
any sum deposited as part payment shall be forfeited, and all such 
lots as remain uncleared after twenty-four hours from the conclusion 
of the sale, will be re-sold by either private or public sale at such 
time as the Metropolitan Art Association shall determine, without 
further notice, and if any deficiency arises from such re-sale it shall be 
made good by the defaulter at this sale together with all the expenses 
incurred thereby. This condition shall be without prejudice to the 
right of the Metropolitan Art Association to enforce the contract with 
the buyer, without such re-sale. . 

8. We make no charge for executing orders for our customers and 
use all bids competitively, buying at the lowest price permitted by other 
bids. 

9. The Metropolitan Art Association will afford every facility for 
the employment of carriers and packers by the purchasers, but will not 
be responsible for any damage arising from the acts of such carriers 


and packers. 
Che Anderson Galleries 


METROPOLITAN ART ASSOCIATION, 
MADISON AVENUE AT ForTIETH STREET 
TELEPHONE Murray HI tt 7680. New York. 


Priced Copy of this Catalogue may be secured for $1.00 


ORDER OF SALES 


—_——____. 


First Srsston—Friday Afternoon, March 12, 1915, at 2.30 o’clock. 
Art Objects, Textiles, Fixtures and Artistic F urniture. 


Pobsiear ec hie 1—82. 


SECOND SEsston—Friday Evening, March 12, 1915, at 8.15 o’clock. 
Paintings, Water Colors, Prints, Etchings and Art Books. 
Lots - - - 83—182. 


_ Covered ae red Walwet: Height, 514 feet. 
5. LEATHER DESK BLOTTER 

_ Of green morocco lined with green moire silk. Made 
meee by Madam Thaulow, widow of the artist. Unused. 


A133 JAPANESE POTTERY WALL VASE 


ES Showing a mouse among the grapes modeled in relief 
ane and coated with colored glazes. Height, 8 inches. 


7. TWO CARVED WALNUT PANELS 


Carved with scrolls and flowers in relief. Not matched. 


8. THREE MORE 


10. 


me ke 


12. 


13. 


14, 


15; 


16. 


digs 


. CHINESE POTTERY WALL VASE 
The surface modeled in relief and decorated in yellow 


and blue on a yellow ground. Height, 7 inches. 


BRONZE WOLF HEAD, BY PROCTOR | 
Mounted on a green marble base as a paper weight. 


Height, 414 inches. — 


JAPANESE POTTERY WALL VASE 


Fan shaped and decorated with bamboo branches and 
other foliage painted in blue on a buff ground. 


Height, 9% inches. — 


SMALL CHINESE PORCELAIN STAND 


Decorated with flowers in five colors on a celadon 
ground, and the underside glazed with turquoise blue. 
Teakwood stand. 


ENGLISH SILVER SNUFF BOX, GILT 


The surface engine turned, with raised borders and 
thumb grip chased in a rose and leaf design. Hall 
marked London, 1822. 


BRONZE RABBIT, BY BARYE 
Original proof, signed. A rare cabinet piece. 
| Height, 2 inches. 


BRONZE DISCUS THROWER 
After the antique, by Del Nero. Height, 1474 inches. 
Teakwood stand. 


SMALL ANTIQUE CHINESE BUDDHA OF CARVED 
STONE | 


The figure of Buddha is seen seated on a throne with 
high back, carved and finished in color. 


Height, 14 inches. 
Top of the throne has disappeared. 


FIFTY-SEVEN AND A HALF YARDS OF TERRA 
COTTA BROCATELLE (New) 


One piece containing 5314 yards and 3 smaller pieces 
containing 414 yards. 


6 


caine eee stripes of terra cotta and white. In 3 
_ pieces, one having 49 yards, and two smaller pieces con- 


4 4 taining | 6 72 a. 


IXTY-FOUR, AND ‘A HALF YARDS OF RED MO- 
arte FIGURED PLUSH (New) 


In several BHEEES one Bae con- 


Pen. decorated with mask tops. 
| Height, 31 inches. 


RK TABLE “2 


Top, 41 x 27 inches. 


5 


: i. EBONY EXHIBITION EASEL 
8. ANOTHER 


ee 24. “TELEPHONE TABLE 

eam ee Of consol design, having one drawer. 

i oe ae ‘Height, 33 inches; top length, 291% inches; width, 17 
inches. Made by Cottier & Co. 


25. LIBRARY ARM CHAIR 
Covered with brown morocco finished with brass-headed | 
nails and having loose seat cushion. 


26. EBONY ARM CHAIR 


The solid side supports carved and resting on carved 
paw feet, the circular back veneered with rosewood. 


Made by Cottier & Co. a 


s 


a7. ANOTHER TO MATCH 


28. BRASS ELECTRIC WALL BRACKET 
With silk shade. 


29. 


a0. 


eh he 


32. 


33. 


34. 


35. 


36. 


Hho 


38. 


39. 


Shaped as a cupid. 


LIBRARY TABLE | ; 
Of ya Sudan Measbae ante two fluted « xe) 


‘ings and aa drawers, the an of ae gra 
sian walnut. Made by Cottier ‘& Com ‘fi 
desta Lap: 5 feet 8 inches long; 3 feet 


SMALL SOFA 


_ The walnut frame carved, resting on six 
having a curved back it the seat and — 
stered in olive silk plush. Made by Cottier & | 


Length, 6 feet 


SMALL ROLL TOP DESK 


Of oak in antique finish, having four ade drawers, one 
long drawer. 28 ee 


hae ahs 
42 SINGLE LIGHT FIXTURES FOR PICTURES — Seay Age 
With brass shell reflectors. | es AS 


TWO ELECTRIC FANS 


SIX ELECTRIC FIXTURES 

For cases, having reflectors with gilt finish. a a 
lea 36 inches. | ee Re e 
FOUR ELECTRIC FIXTURES te 


For cases, having reflectors with black finish. 
Length, 4914 ae 


THREE ELECTRIC FIXTURES WITH REFLECTORS aor 
Each having five lights. Length 61 14 inches. 


ELECTRIC FIXTURE WITH COPPER REFLECTOR 
Having 10 lights. Length, 10 feet. 


ELECTRIC VACUUM CLEANER WITH ATTACH- 
MENTS 

Having continuous Current Motor. General Electric 
Co., maker. 


: LTE ee FILE BOXES AND TWO WASTE 
_ BASKETS — Be 


ie 
eee 2 act. 
A. 4 
4A. TEN E EM é% 
ys . Vat 
Ald a 


if 
=e 


DALMATIC OF THE EARLY SEVEN- 
ae CENTURY 


f viol t satin, embroidered in gold in a Renaissance | 


eo! 


- 
ee 


PCaTEENTH CENTURY ITALIAN MIRROR 


_ The frame of Italian walnut, finely carved and gilded 
_ and fitted with the original glass. An unusually fine 
oe: 


th gia _ SOFA. PILLOW COVERED WITH SPANISH CRIM- 
ae SON EMBROIDERY OF THE SEVENTEENTH 
ta teeiee free ENG URY 


—_—— 


| | 48. ANOTHER, SIMILAR 


F a 49. TWO WHITE METAL SILVER PLATED CANDLE- 
netep STICKS OF THE EIGHTEENTH CENTURY 


Height, 22 inches. 


50. LOUIS XVI ARM CHAIR 
. The frame carved and gilded, the back and seat cov- 
ered with fine antique tapestry. ; 


51. SCREEN 
The frame carved and gilded and fitted with a panel 
of fine antique tapestry with a design after Boucher. 


D 


52. 


53. 


54. 


55. 


56. 


57. 


58. 


59. 


60. 


O17 


CARVED ALABASTER BOWL FOR HANGING OR 
TABLE LAMP 


Cone shaped. Diameter, 12 inches. 


ANOTHER 


SEVENTEENTH CENTURY ENGLISH ARM CHAIR 


Original frame, covered with exceptionally fine petit 


point tapestry with medallion panel. 


ANOTHER, COMPANION TO THE FOREGOING © 


These chairs are exceptional examples. 


TWO ITALIAN PLATED CANDLESTICKS OF THE 
EIGHTEENTH CENTURY 
Height, 17 inches. 


ITALIAN ALTAR FRONTAL OF THE SIXTEENTH 
CENTURY 
Of crimson satin, richly embroidered with gold in a 
Renaissance design. 
Length, 7 feet 2 inches; width, 3 feet 3 inches. 
An extraordinary piece, worthy a place in a museum. 
This, together with the three altar robes following, 
make a complete and wonderful suite of altar vest- 
ments; they were acquired from the treasury of a 
convent near Florence. 


ITALIAN DALMATIC OF THE SIXTEENTH CEN- 
TURY | 
Of crimson satin, richly embroidered with gold in a 
Renaissance design. A companion piece to the Altar 
Frontal. 


ITALIAN DALMATIC OF THE SIXTEENTH CEN- 
TURY 


Of crimson satin, richly embroidered in gold in a 
Renaissance design. 


ANOTHER, SIMILAR 


EIGHTEENTH CENTURY FLEMISH FERN STAND 
10 


62. 
63. 


64. 


66. 


66. 


67. 
68. 
69. 


fas ¢ 


81. 


(ex 


78. 


WALNUT ARM CHAIR 


Copy of a famous model in Hampton Court with cov- 
ering of seventeenth century Flemish tapestry. 


ENGLISH SEVENTEENTH CENTURY COPPER 
JARDINIERE . 


Oval in form, the sides repousse, resting on four feet. 


ANOTHER, SMALLER 
(One handle broken). 


EARLY EIGHTEENTH CENTURY ITALIAN SIDE 
TABLE 


The frame carved and painted green and touched with 
gold, the top painted to imitate marble. 


Length, 54 inches; width, 27 inches. 


ANOTHER TO MATCH 


LOUIS XVI ARM CHAIR 


The frame carved and gilded, covered with fine an- 
tique tapestry of a floral design. 


ANTIQUE MAHOGANY CABINET OF LOUIS XVI 
DESIGN 


Decorated with Sevres porcelain plaques having bronze 
mountings, finished in ormolu. 


SOFA PILLOW, COVERED WITH FINE ANTIQUE 
ITALIAN EMBROIDERY . 


CARVED ALABASTER BOWL FOR HANGING 
LAMP 


Diameter, 16 inches. 
ANOTHER TO MATCH 


ANTIQUE ITALIAN WINDOW SEAT 
Carved with cupid and coat-of-arms and gilded. 


EARLY EIGHTEENTH CENTURY ITALIAN ARM 
CHAIR 


The frame carved and gilded and covered with an- 
tique petit point tapestry of the period. 


11 


74. 


75. 


10% 


19. 


80. 


81. 


82. 


EIGHTEENTH CENTURY ITALIAN MIRROR 


The frame of carved wood, decorated in polychrome, — 


shows cupids upholding a canopy. 


This is an unusual model and worthy a pie in a mu- | 


seum. 


CARVED ALABASTER BOWL FOR HANGING LAMP — 


Diameter, 19 inches. 


SOFA PILLOW, COVERED WITH ANTIQUE ITAL- 


IAN EMBROIDERY ON CRIMSON VELVET 


Trimmed with gilt fringe. 


. PAIR OF PERSIAN SILVERED COPPER CANDLE- 


STICKS OF THE SIXTEENTH CENTURY 
Having four branches. Height, 13 inches. 


. LARGE LOUIS XV MARQUISE 


Finely carved and covered with antique brocade of 
the period. 


ITALLIAN OVERMANTEL MIRROR 
In three panels, the frame finely carved and gilded. 


ANTIQUE MAHOGANY TABLE OF LOUIS XVI 
DESIGN 


Decorated with Sevres painted plaques Hating bronze 
mountings, finished in ormolu. 


SIXTEENTH CENTURY ITALIAN CASSONE 


An original work of the period with finely carved 
panels. 


ANTIQUE ITALIAN WALNUT TABLE OF THE 
SIXTEENTH CENTURY 


Having three drawers with the original bronze knobs. 
A genuine example of the period. 


Length, 7 feet; width, 3 feet. 


12 


u —- 
i - * a 
A SF eS ete ae ee _ - 


— 
oe 


SECOND SESSION 
Friday Evening, March 12th, 1915, at 8:15 o'clock | 


._ PAINTINGS, WATER COLORS, PRINTS, 
ETCHINGS AND ART BOOKS 


H 


Numbers from 83 to 160 inclusive, are the property of Cottier & Co., 


the remaining numbers are consignments from other sources 


. GREENSHIELDS (E. B.). Landscape Painting and 


_ Modern Dutch Artists. Illustrated, 8vo, cloth, gilt 
top, uncut. — New York, n. d. 


. WALTER GREAVES (Pupil of Whistler). By Christian 


Brinton, N. Y., 1912; Josef Israels an Address (Gun- 
saulus), Chicago, n. d.; A Reply to an Attack made 
by one of Whistler's Biographers on a Pupil of 
Whistler, Mr. Walter Greaves and His Works (Mar- 
chant), London, n. d.; and another. Together 4 vols., 
8vo and 12mo, cloth and paper. 


. CATALOGUES. Catalogue des Tableaux Anciens. Col- 


lection de Marzell De Nemes. Partly priced in ink. 
Paris, 1913; Collection Cottier Catalogue, Paris, 1892; 
Collection de S. A. I. Madame la Princesse Mathilde, 
Paris, 1910; and _ others. Profusely illustrated. 
Together 7 vols., 4to, wrappers. 


. MILLET. Jean-Francois Millet: Peasant and Painter. 


Translated by Helena de Key from the French of 
Alfred Sensier. Illustrated. 4to, cloth (loose in cov- 
ers). London, 1881. 


. CATALOGUES des Objects D’Art, Collections de Mme. 


C. Lelong, 3 vols., Paris, 1903; Catalogue “des Tab- 
leaux Anciens, composant la Galerie Crespi de Milan, 
Paris, 1914; Catalogue des Tableaux Anciens, com- 
posant la Collection de M. Marczell de Nemes, Paris, 
1913. Profusely illustrated. Together 5 vols., 4to, 
wrappers. 


136 


UZ 
eat 


88. 


90. 


G1. 


93. 


94. 


GROLIER CLUB. Early American Book-Plates (Allen), 
New York, 1894; Exhibition of First and other edi- 
tions of the Works of John Dryden, New York, 1900; 
Catalogue of an Exhibition illustrative of a Centenary 
of Artistic Lithography, 1796-1896, New York, 1896; 
and others. Together 9 vols., 12mo, boards and | 
wrappers. : 


, 3 
. SPITZER CILLECTION. Two folio portfolios of plates ~ 


(not complete). 2 vols., half cloth portfolios. 
NOP. 


CATALOGUES. Catalogue des Tableaux de Maitres 
Anciens et Modernes de feu M. Edmund Huybrechts, 
Paris, 1902; Tableaux Modernes de feu M. J. R: P. C. 
H. De Kuyper, Amsterdam, 1911; Catalogue des Des- 
sins Aquarelles, Gouaches composant la Collection de 
M. A. Beaudeley, Paris, 1905; and others. Profusely 
illustrated. Togethey hy vols., folio and 4to, cloth and 
paper. 


MODERN ARTISTS. Pictures by Sir Henry Raeburn, 
London, 1911; The Brothers Maris (James—Matthew 
—William), London, 1907; Pictures by Josef Israels, 
London, 1912; and others. Profusely illustrated. 
Together ny Ab 4to, wrappers. 


: NATIONAL GALLERY (The) of British Art (The 


Tate Gallery). With an Introduction by Sir Charles 
Holroyd. Illustrated mith 24 Rembrandt photograv- 
ures, etc. Large 4to, cloth. London, n. d. 


CATALOGUE RAISONNE (The) of the Works of the 
most Eminent Dutch Painters of the Seventeenth Cen- 
tury. Based on the Work of John Smith. By C. H. 
De Groot. Volume I, large 8vo, cloth. 

London, 1907. 


GAVET (EMILE). Cent Photographies, tirees de la 
Collection Emile Gavet, composee d’Objets d’art et de 
curiosites de XV et XVI Siecles. Square folio, half 
morocco. [Paris] 1894, 


14 


95. THOMSON (DAVID CROAL). The Barbizon School 
of Painters: Corot, Rousseau, Diaz, Millet, Daubigny, 
‘i etc. 130 illustrations. Large 4to, cloth, gilt top, 
uncut. London, 1890. 
Large Paper, limited to 280 copies. 


. ANOTHER COPY IN THE SAME BINDING. 
One of 200 copies for America. New York, 1890. 


97. CATALOGUES. Collection Hayashi, Objects D’Art, 
Paris, 1902 \ Art Objects of the Charles Mannhein 


; 4 we : Collection, Paris, 1910; Collection van Branteghem, 
‘2 Bruxelles, n. d.; and others. Profusely «ilustrated. 


Together 10 vols., folio and 4to, wrappers. 


GAINSBOROUGH by Mortimer Menpes. Text by James 


: Coe Ff. 98. | 
if Te _ Greig, R. B. A. Reproductions in colors. Folio, 
a7 ee - cloth, gilt-top. London, 1909. 


99. WOLFF (ALBERT). Cent Chefs-d’Oeuvres. The 
| choice of the French private galleries. Etchings. 
Large 4to, half leather (rubbed). New York, n. d. 
One of 100 copies on Japan paper, with the etchings 
before letters. 


100. HAVARD (HENRY). L’Oeuvre de P.-V. Galland, La 
—* _ Peinture Decorative au XIX Siecle. Profusely ilus- 
¥; trated. Large 4to, wrappers, uncut. Paris, 1895. 


101. CYCLOPEDIA of Painters and Paintings. Edited by 

John Denison Champlin, Jr., and C. C. Perkins. 

2,000 illustrations. 4 vols., royal 8vo, buckram. 
New York, 1892. 


102. CATALOGUES. Catalogue des Tableaux Pastels, Des- 
sins, Aquarelles, Collection Roger Marx, Paris, 1914; 
Catalogue de la Collection de Jhr. Alfred Boreel, 
Porcelaines, etc., Amsterdam, 1908; Catalogue des 
Tableaux Modernes et Aquarelles composant la Col- 
lection de M. Ch. de Beriot, Paris, 1901; and others. 
Profusely illustrated. Together 12 vols., 4to, wrap- 
pers. 


15 


as 
er JY 
i 8 
f 
} 
104. 
b.7 
¢ 105 


107 
a 

108 

109. 


. CATALOGUES. 


. YERKES (CHARLES T.). 


. ARMSTRONG (SIR WALTER). Turner. [A Life of | 


J. M. W. Turner]. 


Profusely illustrated with repro- 
ductions. 


Large 4to, cloth, uncut. London, 1902. 
One of a limited number on special paper. 


CATALOGUES. Catalogues des Tableaux Modernes 
composant la Collection M. Louis Baudouin, Paris, — 
1913; Catalogue des Tableaux Modernes et Aqua- 


relles composant la Collection de M. Jules Strauss, — 


Paris, 1902; Catalogue des Objects D’Art composant 
la Collection de M. Hochon, Paris, 1903; and others. — 
Profusely illustrated. Together 17 vols., 4to, paper. 


. DOBSON (AUSTIN). William Hogarth. With an In- 


troduction by Sir Walter Armstrong. Plates in pho- 
togravure and fac-simile. Large 4to, cloth, uncut. 
| London, 1902. 


Collection Maurice Kann, Catalogue 
des Objects D’Art, Paris, 1910; Collection Mniszech, 
Collection de Tableaux Anciens Portraits, Paris; Col- — 
lection de M. Emile Gavet, Objects D’Art, Paris, — 
1897; and others. Profusely illustrated. - Together 

13 vols., folio and 4to, wrappers. 


Catalogue de Luxe of An- 
cient and Modern Paintings belonging to the Estate 
of the late Charles T. Yerkes. Numerous reproduc- 
tions. Large 4to, cloth, uncut. New York, 1910. 
One of 250 copies printed on Japan paper. for sub- 
scribers. 


. MAGAZINES OF ART. The Craftsman, 12 numbers, 


New York, 1903-11; The Studio, 39 numbers, New 
York, 1886-90; Lotus Magazine, 3 numbers, New 
York, 1913; and others. Together 85 pieces, various 
sizes, paper. 


GRAVES (ALGERNON). The Royal Academy of 
Arts. A Complete Dictionary of Contributors and 
their Work from 1769 to 1904. Frontispieces. 17 
vols., royal 8vo, half leather (rubbed). 

A very valuable work. London, 1905-06. 


16 


lery, 11 vols., Paris, n. d.; Tableaux D’Art et D’Ameu- 
blement, Paris, 1904; and others. Together about 80 
pieces, paper. 


1 110. CATALOGUES. Catalogues from the Sedelmeyer Gal- 
A 


111. EDINBURGH INTERNATIONAL EXHIBITION, 
are 1886. Memorial Catalogue of the French and Dutch 
Loan Collection. Etchings and other illustrations, in- 

cluding an = es by Blommers. Large 4to, buck- 

ram, uncut. - - Edinburgh, 1888. 

ae Onc of 100° copies on Large Paper, with the etchings 

es on Japan paper. . 


Kae GRAVES (ALGERNON). A Century of Loan Exhibi- 


J Nee tions, 1813-1912. 3 vols., 4to, half green morocco, gilt 
tops, uncut. . London, 1913-14. 
_ Limited to 250 copies. Scarce. Laid in is a note by 

the author. ; 


oi MONTICELLI (ADOLPHE). Vingt Planches d’apres 

bi Yds — les Tableaux Originaux de Monticelli, et deux Por- 

} sale traits de |’Artiste; lithographs par A. M. Lauzet, etc. 

¥ Elephant folio, loose in portfolio. Paris, 1890. 
~Limited to 100 copies. 


114. CATALOGUES. Catalogue de Tableaux Aquarelles and 
7 Dessins composant la Collection de M. Barbedienne, 
SY Paris, 1892; Catalogue des Objects D’Art composant 
“A la Collection De Feu M. H. H. A. Josse, Paris, 1894; 
Catalogue de Tableaux Modernes, Aquarelles, Pastels 
et Dessins, Collection de Henri Garnier, Paris, 1884; 
and others. Profusely illustrated. Together 17 vols., 
various sizes, cloth and paper. 


x 


115. AMERICAN ART ANNUAL. 2 vols., New York, 1898- 
1906; Salon de 1888-1909, 2 vols., Paris, 1888-1909; 
and others. Together about 100 pieces, various sizes, 
paper. 


XQ 


17 


118 


119. 


120. 


121. 


ETCHINGS, CARBON PRINTS AND 
PHOTOGRAVURES 


AFTER PAINTINGS BY 


Rembrandt, Corot, Millet, Diaz and Hoppner 
Etchings by M. Maris and W. Strang 


NARCISSE VIRGILIO DIAZ. 


. WOMAN WITH GRAPES; WOMAN WITH FLOW- . 


ERS; GIRL WITH DOG 


Fine carbon prints after paintings. Large folio. (3). — 


. WOMAN WITH GRAPES (5); WOMAN WITH 


FLOWERS (5); GIRL WITH DOG (2) 
Duplicates of the preceding. (12). 


JOHN HOPPNER. 


. MISS POLLOCK WITH ANOTHER PORTRAIT OF 


A EADY 


Fine Carbon prints; together with Orchardson’s “Too 
Good to be True,’ and Courbet’s Death of the Fox. 
Duplicates of the first two. (7). 


A. LANCON. 


PEN AND INK DRAWING 
Lion and His Prey. Signed. 6x934 inches. Framed. 


MATTHYS MARIS, 
Dutch painter. Executed but few etchings. 


THE SOWER. After Millet. 
Etching. SigNep proor. No. 16. 


ANOTHER COPY. 


S1igNED PRooF. No. 38. 
18 


> 197. 


128; 


129. 


130. 


MSl. 


132. 


MATTHYS MARIS—Continued. 


VE — 122. ANOTHER COPY 


SigNEp PRooF. No. 46. 


- ANOTHER COPY 


‘S1@nep prRoor. No. 62. 


. ANOTHER COPY 


SigNep PRooF. No. 93. 


. ANOTHER COPY 


SigNep proor. No. 52. Mounted for framing. 


6. UNSIGNED PROOFS 


Nine copies. (9). 


LANDSCAPE WITH GOAT 
Proof of a painter etching, seven copies; with an etch- 
ing of a woman seated, unfinished proof. (8). 


ON THE STEPS OF THE ALTAR 


Carbon print after a drawing by Maris. (8 dupli- 
cates). 


JEAN FRANCOIS MILLET. 


THE THUNDERSTORM; From a drawing. 
Peasants finding shelter under a tree. 4to, framed. 


CARBON PRINTS OF DRAWINGS BY MILLET 


Calling the Herd; The Thunderstorm; Washing Day; 
Goatherd and Flock; Le Pot-au-feu; Loading; Alms- 
giving; Stubble Burning; The Churner. (9). 


DUPLICATES OF THE ABOVE 
Fifty pieces. (50). 


THE GARDENER; The New Born Calf; Showing the 
Way; The Potato Harvest; The Diggers; Pasturing 
the Cow; The Potato Gatherer; The Angelus. Car- 
bon prints from drawings. (8). 


19 


133. 


JEAN FRANCOIS MILLET—Continued. 


DUPLICATES OF THE ABOVE 
Fifty pieces. 


(50). 


A 
134, THE ANGELUS 3 
‘ Carbon print from the drawing. Folio and quarto 
: sizes. (52). 
y f@. 185. UNMOUNTED DUPLICATES 
tg Including most of the preceding lots. (19). 
JEAN BAPTISTE CAMILLE COROT. 
ret. 136. ORPHEUS; DANTE AND VIRGIL; LANDSCAPE 
2 as Fine carbon prints. Large folio. (3). 
ne Gh 137. ORPHEUS (4); DANTE AND VIRGIL 
1, aera Duplicates of the above. (5). 
138. DIANA 
/ Ry oer Three carbon prints. (3). 
ai s 4 
z A. BRUNET DEBAINES. 
| 189. VENICE 
‘ Signed proof etching. 4to, framed. 
JOSEPH. Ba PRATE 
Contemporary Mezzotint Engraver. 
A » re 140. MISS POLLOCK; Signed India proof after Hoppner. 
«Jf Uw Nearly three-quarter length, seated with a book in a 
landscape. Folio, handsomely framed in hard wood. 
REMBRANDT VAN RIJN; 1606-1669. 
141. UNGER (W.). Rembrandt in hat and feather leaning 
on a stone sill. Etching, signed remarque proof. 


Folio, framed. 
A. superb impression and a favorite and very beauti- 
ful portrait. 


20 


eee ee Se SO Om ee 


Ny 5 


RI EMBRANDT V VAN RIJN—Continued, 


N IN A BLACK CAP WITH A 
BLACK GOWN. Bode 537, Vol. 7. 


bon print in brown. Folio, framed. 


| oa ” Bode 84, Vol. 2. 
snown as the pores of Dr. Tulp. Oval, small 


0: 


Si Pe eiienanvr IN A FUR CAP AND CLOAK 
. Carbon print from the painting. 


147. “THE SAME. 
Five copies. (5). 


{— 148. YOUNG WOMAN IN A BLACK CAP 
pee _ Carbon print from the painting. 


_ 149. THE SAME. 
Three copies. (3). 


~ WILLIAM STRANG. 


. re 150. HEAD OF A PEASANT 
Bey d Mezzotint, signed Brae 4to, framed. 
Only 60 were printed. 


i | a 


OIL AND WATER COLOR PAINTINGS 


151 | 
WILLIAM F. VALLANCE, 
Modern Scottish Painter. 
COAST SCENE 
Water Color, signed and dated 1876. 
Height, 334 inches; width, 67 inches. 


152 


H. STACQUET, 
Modern Dutch Painter. 


r | Qites RIVERMOUTH 


i). — 
{/ , 


Water Color, signed. Height, 614 inches; width, 11 inches. 


153 
F. VINCENT HART, 
English Painter, Pupil of Albert Moore. 
FEMALE FIGURE PLAYING A MANDOLIN 
Panel, signed and dated 1908. 
Height, 10 inches; width, 8 inches. 


154 ¢ 
LOUIS W. VAN ous 
Contemporary Dutch Painter. 
Water Color, signed. Height, 25 inches; width, 19% inches. 
Ls 


155 
ee 


ALBERT P. RYDER, 
A PASTORAL FANCY 
_ Canvas on panel. Height, 27 inches; width, 19 inches. 


L 


156 


wv / F. VINCENT HART, 
if: Lge 
€ 


Modern English Painter. 
FEMALE FIGURE PLAYING A LUTE 


Panel, signed and dated 1908. 
Height, 10 inches; width, 8 inches. 


« 


wae ay 
VE" EMILE VAN MARCKE, a 
x French Painter, 1827-1890. | 
CALVES IN PASTURE 
Panel, signed. Height, 10 inches; width, 13 inches. 


158 


om 
4, 61 : EDWARD J. STEICHEN 4 Petteher 


Contemporary American Painter. 


WHITE PHLOX IN MY GARDEN AT VOULANGIS, 
FRANCE 


Canvas, signed and dated 1908. 


Height, 24 inches; width, 25 inches. 
Shown at the Worcester Art Museum. 
23 


159 


ny fu. ALBERT P. RYDER, 
| ee | | 
if OP eile Contemporary American Painter. 
A PASTORAL FANCY 
Canvas on panel Height, 27 inches; width 19 inches. 
160 
menuneor,  ( hd 
? gis UNKNOWN PAINTER, 
a : ne French School of the XVIII Century. 
STUDY OF STILL LIFE 
Canvas. Height, 37 inches; width, 33 inches. 


161 
| FREDERIC HENRI KAEMMERER 
¥ - Dutch Painter, 1839-1892 
THE MILLINER’S APPRENTICE 


On Paper, signed with initials. : 
Height, 1714 inches; width, 10}2 inches. 


162 
W. B. LEENDERS, 

ln Ge Contemporary Dutch Painter. 

2 DUTCH LANDSCAPE TOWARD EVENING 


Water Color, signed. Height, 11 inches; width, 17 inches. 


24 


163 
pe Bt GEORGE C. GROLL, 
e Contemporary American Painter. 
AUTUMN LANDSCAPE 


Water Color, signed and dated ’96. 
Height, 10 inches; width, 12%4 inches. 


164 


Go G. VIZZOTTO, 
| ge Contemporary Italian Painter. 


WENETIAN FISHER BOY 


Water Color, signed and dated ’89. 
Height, 61% inches; width, 3 inches. 


165 
fe WILLIAM HAMILTON GIBSON, 
€ 


American Illustrator and Painter, Deceased. 
LANDSCAPE IN NEW ENGLAND 


Water Color, signed and dated ’90. 
Height, 10 inches; width, 17 inches. 


| 7? 166 
| 4 * ea FREDERIC HENRI KAEMMERER, 
ah « Modern Dutch Painter, 1839-1892. 
: LA BLANCHISEUSE 
On paper, signed with initials. 
Height, 19 inches; width, 111% inches. 
25 


167 


PT W. B. LEENDERS, 
l/ oe Contemporary Dutch Painter. 
fat OP aw HOLLAND RIVER LANDSCAPE 
Canvas, signed. Height, 14 inches; width, 20 inches. 
168 
C. E. SWAN, 
_ OU 
4 jot Contemporary English Painter. 
\ at LION AND LIONESS ON WATCH 
Academy board, signed. Height, 7 inches; width, 9 inches. 
: 169 
OY 
Ain C= F. HOPKINSON SMITH, 
LU Contemporary American Painter. 


A VENETIAN CANAL 


Water Color, signed. Height, 14 inches; width, 24 inches. 
170 
, GEORGE INNESS (Attributed) 
4 Pe at American Painter, 1825-1894. 
> LANDSCAPE 


‘Academy board, signed. Height, 7 inches; width, 10 inches. 
26 


CARLETON WIGGINS 
s SORE PEARY American Painter. 


CATTLE AT PASTURE Pers 


(172 


Height, 20 inches; width, 15 inches. 


178 
ANTONIO CASANOVA Y ESTORACH 
= THE SUITOR 


> - 


~ Canvas, signed and dated 1878. 


i h, ¢ a . EG? Height, 17 inches; width, 20 inches. 


174 
2 F. JACQUE, 
Modern French Painter. 
THE WOOD GATHERER 


“a 


i ‘ ia Canvas, signed. Height, 18 inches; width, 21 inches. 
a4 


175 


fl ue Cr JAGRIPS: 
z » Modern German Painter 
THE YOUNG HOUSEKEEPER 


Panel, signed and dated 1863. 
3 Height, 1714 inches; width, 14 inches. 


176 
42 | WILLIAM RITSCHEL, 
9 Modern German Painter 
VIEW OF DORDRECHT | 7 
Water Color, signed. Height, 21 inches; width, 29 inches. 


| 177 
JOHN SINGLETON COPLEY, 


tt sf) 4 
4 b ) f pe ' Early American Painter, 1737 Pi815. 


PORTRAIT OF PHILIP FRENEAU 


) oh aah ten ,, The subject was born at New York in 1752 of French parentage 

~~ and during the Revolution wrote many popular satirical poems 
against the Tories. He was attached to Thomas Jefferson 
when that statesman was Secretary of State and became Editor 
of the National Gazette, published at Philadelphia. He died 
at Freehold N. J. in 1832. 


: Canvas. Height, 30 inches; width, 25 inches. 
' 178 

/ ey, SAMUEL COLMAN, 

, or. f ee American Painter, 1832- 

tt "] ah <) : 

i 4 J TOWBOATS IN THE HIGHLANDS OF 


: 
| ed THE HUDSON 
| Canvas, signed and dated ’66. 
Height, 32 inches; width, 60 inches. 
28 


oe ae a 


eri 


179 
, DOMENICO FETI (Attributed), 
a oe Italian Painter, 1589-1624. 
DAVID WITH THE HEAD OF GOLIATH 
Canvas. Height, 39 inches; width, 28 inches. 


In an antique Italian carved wood frame. 


180 
jb o ' PETER PAUL RUBENS, 
Flemish, 1577-1640. 
CHILDREN AT PLAY 
Canvas. — if Height, 371% inches ; width, 50% inches. 
: 181 
i, ; or ; ASHER B. DURAND, 


American Painter, 1796-1886. 
LANDSCAPE WITH CATTLE 
Canvas, signed and dated 1848. | 
Height, 38 inches; width, 54 inches. 


182 


GS LELIO ORSI (Called Lelio da Novellara), 
iy a € 


Italian Painter, 1511-1587. 
JUDITH 


Orsi was painter, designer and architect, excelling in all three, 


and friend and disciple of Correggio whom he resembles in his 
art. 


Canvas. Height, 68 inches; width, 52 inches. 


29 


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